Later, the second type of decision-making scenario plays out. The scenario ends with the daughter following you and the dad staying behind waiting for the military to swoop in and save him.Įverything that I saw makes Left Alive look uninspired. The dialogue doesn’t do much to bolster confidence. “Stay here and die like your dopey dada,” the protagonist says in a gruff deadpan. Eventually, the player is given the choice to give the daughter a hard dose of reality, and that’s where another issue surfaces.
A choice is given to try to talk sense into the daughter or speak directly to her dad. The pair, a dad and his adult daughter, are reluctant to follow the player to shelter. We were shown a scene in which one of the male protagonists-featured in Yoji Shinkawa’s consistently striking art-comes across two fleeing refugees.
What we know for sure is that Left Alive will feature multiple endings, and you have a number of ways to go about making ending-altering decisions. First, there are branching dialogue-based choices. Starting the game with nothing and have to forage for gear may add to the tension, but the shooting that was shown to us seemed neither fresh nor appealing. The three playable protagonists are caught unaware and thus have to scavenge for their supplies. Details about the story were scarce, and all we know for now is that the plot kicks off with a surprise attack from an invading nation.
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